Of the Week

What you should be watching and reading and listening to this week.

First of all, if you’re still not watching Broad City, you’re missing out on the most hilarious, inventive… you know what? There aren’t even adjectives to properly describe it amazing-ness. Just watch it.

In other news, the ex-writers of cult hit of comedy wonder, Happy Endings, have posted an extremely cryptic tweet linking to this website, counting 52 days down to something. WHAT DOES IT MEAN? Happy Endings is one of the best television sitcoms of all time and deserves whatever revival it can find. (I’m looking at you, Netflix. *crosses fingers and prays*)

Eddie Huang wrote a really interesting article about the process of adapting his memoir, Fresh Off the Boat, to network television. And E. Alex Jung over at Vulture wrote about watching said adaption with nearly a thousand young Asian-Americans. I haven’t seen the show yet (as my PVR is a hat made of ass and I have yet to find legal distribution of the pilot), but it’s MIND BLOWING that this is the first Asian-American family on TV in 20 years.

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Gina Rodriguez

TV: Jane the Virgin

I do not envy the person who had to pitch this show. That being said, The CW is clearly open and willing to take chances; and this show is a sign the network wants to hold their own with the Big Four.

IMDb offers this log line: A young, devout woman discovers that she was accidentally artificially inseminated. 

But that’s not even the tip of the iceberg. Loosely adapted from Venezuelan telenovela, Juana La Virgen, the soap opera plot twists in JTV are marvellous and many. But unlike the soaps you watched while home sick as a kid, the characters in Jane the Virgin react to each twist like actual human beings. And that’s what makes this show so brilliant. The show knows it’s crazy (and often reminds us with a stellar narration, dream sequences, freeze frames and text on screen), but it never treats its characters as crazy; it lets them roll with the punches in honest, character-based ways. And no one has to deal with more than Jane, played by the categorically wonderful Gina Rodriguez. You’ll fall in love with her instantly. Watch it and I promise you will be utterly charmed. And if you’re still not sold, google ‘Best TV 2014’ and I swear, you’ll find Jane the Virgin on every list.

You can find the entire series on Shomi or iTunes in Canada and a million other places in the States.

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Jenny Slate

Movie: Obvious Child

Unfortunately deemed the ‘abortion rom-com’, Obvious Child is so much more. Starring Jenny Slate (SNL, Parks & Rec, Marcel the Shell), this film is about a young woman growing up and figuring out her life and maybe falling in love and dealing with her career and her family in the oh-so-terrifying time that is your late twenties. Oh, and she also happens to get pregnant and get an abortion.

Whatever. It’s a part of the plot, an important part, and an important story to tell and discuss, but  Obvious Child is about so much more. Just see it. See it because it is hilarious. See it because it’s sweet and heartfelt and honest. See it because it was one of the best films of 2014 and not enough people paid attention. Also, did I mention that it’s hilarious? Because it really, really is.

Obvious Child was written and directed by Gillian Robespierre based on a short she made in 2009. I sincerely hope we don’t have to wait too long for another film from Robespierre. As Vulture pointed out the other day, Sundance (where this film debuted) has a major ‘white guy problem.’ Basically, studios troll Sundance for new directors for their upcoming tentpoles and franchises, yet somehow manage to ignore anyone who isn’t a white dude. Sure, things are a’changing, but it’s not fast enough — so hopefully Robespierre and, frankly, every talented, worthy director being ignored by Hollywood (this is an assumption. Maybe she has lots of stuff in the works?!) can keep doing their own thing, writing their scripts and telling their stories; because I really want to keep watching. And, hopefully, Hollywood will start watching, too.

Book: The Interestings51zPTVP+crL

One of the coolest things about reading is when you get to sit down and within a couple days or weeks, you can live through and experience someone’s entire life — or at least the most formative part of it.

The Interestings is a hypnotic, expansive novel. It takes place over the course of several decades, following a group of friends from summer camp to middle age. Meg Wolitzer never worries about making our protagonist, Jules, that dreaded buzzword: likeable; instead, she makes her human. And when she shows us her life, she gives us its interior, with all its terrible thoughts and emotions included.

It is an aching study on friendship, depression, talent, jealousy, and unrequited love. There are so conversations to be had within this novel that I don’t even know where to start.  (Though, I think I might try with, ‘What makes a life interesting?’)

I suggest starting this when you have time to be swept away. It’s not a short book and it’s not easy to put down. Read it and let’s talk more.

Song: Hunger of the Pine by Alt-J

I am painfully, painfully out of the loop when it comes to new music. (Happily accepting suggestions!) This song isn’t new, but it’s really, really good.

Happy Saturday, friends!

Film Review: In Your Eyes

The red string of fate is an East Asian belief, where, according to myth, the gods tie an invisible red cord around the ankles of those that are destined to meet one another. These two people, connected by thread, are destined lovers, regardless of place, time, or circumstances. This magical cord may stretch or tangle, but never break. 

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In Your Eyes is pure, unadulterated romance. In a genre that seems often to be ignored as its own entity, In Your Eyes soars as it follows Rebecca and Dylan’s love story, that of two broken people destined to be with one another. 

FINALLY! I ranted earlier this year about a severe lack of good romantic films. Just romance. Not comedy, not indie, not framed around a high-stakes action plot (though those movies are great, too), but just romance. In Your Eyes delivers.

Written by Joss Whedon, directed by Brin Hill, and starring Zoe Kazan and Michael Stahl-David, In Your Eyes is the second feature from Bellwether Pictures, a production company founded by Joss Whedon and his wife Kai Cole. Apparently Joss* wrote the script back in the early 90s, which makes perfect sense for his oeuvre, this film fitting perfectly in with the hopeless love tone set in the early years of Buffy.

I don’t think romance gets enough credit. These days they either get segregated to comedy or drama or Nicholas Sparks. It wasn’t even until about halfway way through In Your Eyes that I even realized I was watching a hard romance. I thought, as advertised, that I was in for an indie offering.

I believe that “indie” means two different things. The first being the budget and the second referring to a type of genre. To me the genre that an “indie” film is, is coming-of-age. Meaning, what is more important than the technical genre (comedy, romance, sci-fi, etc.), is that our lead character learns a lesson and grows as a human being. (Even just the last few indie films I’ve seen, St. Vincent, Obvious Child, The Skeleton Twins, all stand by this.) In Your Eyes is not an “indie” romance film. It is a romance. The characters main purpose is not to grow, but to find each other.

I guess I’m expounding on this** because I don’t remember the last time I saw a pure romance. Something that swept me up and took me away and made me fall in love. (I’ve seen plenty of great indies with romance — Zoe Kazan starring in many of them — but, they’re blends of coming-of-age or comedy, not the straight to the veins, hard dose of hopeless that In Your Eyes is***.)

They’re a rare breed and they’re often not given the time or the credit they deserve because romance is perceived as “girly” and therefore less worthy. (Don’t even get me started on defending The Notebook in film school. It saddens me greatly that our film theory professor would not — or, at least, hadn’t yet and wasn’t interested in — watching the most successful film of the son of John God Damn Cassavetes. (But there were other battles to be fought, like the lack of inclusion of Amelie, Moulin Rouge, and many other female or romance driven films, on the lists of the ‘greatest films’ that were handed out to us.) Romance is a genre that is worthy and In Your Eyes is a film that deserves to be included in lists of the best. In fact, I would place In Your Eyes between The Notebook and Eternal Sunshine of the Spotless Mind as one of the best romances I have ever seen. 

I’m not going to tell you anything about the plot, in fact I don’t even recommend watching the trailer. But I will tell you this: In a romance you must place obstacles in front of your soulmates. Real obstacles, not contrived ones. They must feel unsurmountable but — as the story progresses — not repetitive. And Joss Whedon and Brin Hill do this with aplomb; they’re patient, holding back until we’re no longer sitting on the edge of our seat, but fallen to the floor, eyes welling, knuckles white, breath held. The whole cast does a splendid job. While Zoe Kazan is luminous, as always, Michael Stahl-David will infiltrate your dreams. He is charming and handsome and kind. And it being a Joss Whedon script, there are no hints of misogyny from our romantic hero. Once you embrace the romance genre — that is if you can… I will no longer argue with men (or women) over things they don’t or won’t choose to understand, instead sharing things with the people who do — this film is perfect. I can’t wait to watch it again.

Take these words with a grain of salt, if you will. It’s all coming from a preternaturally effusive romantic with Shakespeare tattooed on her wrist and Klimt prints on her walls, but I loved In Your Eyes from all the way from its touching start to its unapologetic end. This is the romance film I’ve been waiting for.

You can find the film on Netflix, iTunes, or rent it here, on their website.

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Real love isn’t brains, children. It’s blood. It’s blood screaming inside you to work its will.

– Spike, Buffy the Vampire Slayer

*We’re on a first name basis because write for the job you want?

**Also, Vulture put In Your Eyes on a list of great indie rom-coms. Great, yes. Indie rom-com, no.

***You could argue that In Your Eyes is actually a fantasy-romance, but if we’re being honest, aren’t all romances a fantasy? And though the elements of fantasy in this film veer into science fiction, sure, this film navigates them so well that it always feels like reality. (And what do we know, maybe for some it is?)